Galen a. Johnson (University of Rhode Island)

Présentation

Presentation

Presentazione

Un extrait du cours inédit sur Le problème de La parole
An excerpt From the unpublished course on The problem of Speech
Un estratto dal corso inedito su Il problema della parola

Lovisa Andén (University of Stockholm), Franck robert (Lycée Marcellin Berthelot de Questembert, Bretagne)

Introduction.Le problème de la parole, extrait de la leçon Du 25 février 1954. Proust et la littérature

Introduction. The problem of speech excerpt from the february 25th lecture. Proust and literature

Introduzione. Le problème de la parole, estratto della lezione Del 25 febbraio 1954. Proust e la letteratura

Maurice Merleau-Ponty

Extrait. . Proust. Une théorie, – et une pratique concordante, – Du langage

Excerpt. Proust. A theory, – and a concordant practice, – Of language

Estratto. Proust. Una teoria, – e una pratica concordante, – Del linguaggio

DOSSIER SPÉCIAL – SPECIAL SECTION – DOSSIER SPECIALE

Merleau-Ponty
La littérature et le langage littéraire
Literature and Literary Language
La letteratura e il linguaggio letterario

Galen A. Johnson (University of Rhode Island)

Introduction. On the Literary and the True

introduction. Sur la littérature et le vrai

Introduzione. Su letteratura e verità

Amy A. Foley (Bryant University), David M. Kleinberg-Levin (Northwestern University)

The PhilosoPher’s truth in fiction: An interview with David Kleinberg-Levin

Mauro Carbone (Université Jean Moulin Lyon 3)

La surface obscure. La littérature et la philosophie en tant que dispositifs de vision selon Merleau-Ponty

Stephen H. Watson (University of Notre Dame)

Proust’s Disenchantments, the “Repoetization” of Experience, and the Lineaments of the Visible

Federico Leoni (Università degli Studi di Verona)

Poietic Transspatiality. Merleau-Ponty, Normativity, and the Latent Sens of Nature

Franck robert (Lycée Marcellin Berthelot de Questembert, Bretagne)

Merleau-Ponty, L’origine de la Géométrie et la littérature

Glen A. Mazis (Penn State University Harrisburg)

Merleau-Ponty’s and Paul claudel’s Overlapping Expression of Poetic Ontology

Giuseppe Crivella (Università degli Studi di Perugia)

Le sensible est introuvable... Merleau-Ponty e il linguaggio: Da La prose du monde alle Cinq notes sur Claude Simon

Amy A. Foley (Bryant University)

The tension of Intention: Merleau-Ponty gestures toward Kafka

Daniel Rosenberg (Hebrew University of Jerusalem)

Eliciting deviation: Merleau-Ponty and Valéry on Literary language

Gianluca Solla (Università degli Studi di Verona)

Entrando al cinema. Il ritmo come segreto del mondo

Emmanuel Alloa (université de Fribourg, Suisse)

Le premier livre de Merleau-Ponty, un roman

II
Le sens du lieu
The Significance of Place
Il significato del luogo

Ann v. Murphy (University of New Mexico)

Introduction. The significance of Place introduction.
Le sens du lieu introduzione.
Il significato del luogo.

William d. Adams (Andrew W. Mellon Foundation)

A sense of Place: Cézanne and Merleau-Ponty in Le Tholonet

David Morris (University of Oregon, USA)

Merleau-Ponty and Mexica Ontology: on Time as Contingent Templacement and the Beginnings of Philosophy

Shiloh Whitney (Fordham University)

From the Body Schema to the Historical-Racial Schema: Theorizing Affect between Mrleau-Ponty, Fanon, and Ahmed

Jay Worthy (University of Alberta)

On the Place of Resistance in Ontology: Rereading Merleau-Ponty after Fanon and the “Flaw that Outlaws any Ontological explanation”

Varia - Diverse - Varia

Charles Bobant (Université Pantheon-Sorbonne Paris 1)

Merleau-Ponty et l’art : un itinéraire philosophique

Rawb Leon-Carlyle (Pennsylvania State University – M.C. Dillon Award )

Wild Red: Synesthesia, Deuteranomaly, and Euclidean Color Space

Comptes-rendus - Reviews - Recensioni

Judith Wambacq (École des Beaux-Arts, University College Gand)

L’animisme de Merleau-Ponty et Guattari. Une critique de La machine sensible de Stefan Kristensen

Charles Bobant (Université Pantheon-Sorbonne Paris 1)

Compte rendu de Anna Caterina Dalmasso, le corps, c’est l’écran. La philosophie du visuel de merleau-ponty

Matteo Segatto (Università degli Studi di Verona)

Recensione ad “aut aut”, numero 381, “Sartre/Merleau-Ponty. Un dissidio Produttivo”